Once we had established that the IMAX concert would be filmed and recorded we figured we better get some decent lighting into the venue. It turns out Steve Mullen was good friends with a lighting and PA technician who could help us out. We organised to get some very cool lighting for a relatively cheap price. Basically we would get a full professional setup for the cost of a small rig. It was a very good deal and who were we to refuse? This gig was looking better and better all the time.